• Daphne Geismar
  • Books
  • Websites
  • Process
  • About
  • Contact
01_ChineseInk
02_ChineseInk
03_ChineseInk
04_ChineseInk
05_ChineseInk
06_ChineseInk
07_ChineseInk
08_ChineseInk
09_ChineseInk
10_ChineseInk
11_ChineseInk
12_ChineseInk
13_ChineseInk
14_ChineseInk
15_ChineseInk
16_ChineseInk

Other projects

The Société Anonyme View A Tradition Redefined, Chinese Ink painting Current Peggy Preheim View Art and Emancipation in Jamaica View Matisse View American Modernism View Arlington National Cemetery View Van Gogh Repetitions View
Previous | Next Book Index

A Tradition Redefined, Chinese Ink painting

A Tradition Redefined: Modern and Contemporary Chinese Ink Paintings from the Chu-tsing Li Collection,
1950–2000

Harvard University Art Museums
244 pages | 151 images

These catalogue entries for stunning ink paintings, set in both English and Chinese, include caption information as well as transcribed inscriptions and seal copy of widely varying lengths. The grid accommodates this range, organizes the information in small groupings that link the two languages, and accentuates the delightful inscriptions, such as “Pondering the infinite vastness of heaven and earth, I feel alone and my tears fall,” or “Return from Fishing. Asking Mr. Chu-tsing for his comment.” The author wanted to include images of the signatures and seals, at actual size, on the entry spreads. I was concerned that this would distract from the paintings and suggested grouping the signatures and seals in a section following the paintings. Each painting connects with its signature and seal through the corresponding catalogue numbers easily found at the top of the page.

Index | Next Book

Use arrows for navigation